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Navy e writer













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GOLDBERG: Well, the AMPTP and the negotiating committee from the Writers Guild have not gotten back to the table since a strike was declared in early May. SIMON: Any indication that any kind of settlement is at hand based on your reporting? There's always going to be a demand for original stories. GOLDBERG: I don't think that the rise in unscripted is going to hurt the writers because there is always going to be a demand for the next "Ted Lasso," for the next "Succession." These are our hit shows that bring awards, recognition and drive tune-in and subscribers. SIMON: And what does that do to the status of the strike? Because it seems to me the more the unscripted shows succeed, is it making it more difficult for the writers to latch on with properties if there's going to be fewer productions even when production resumes? They watch when they want, and they watch however much they want. You can make them on the cheap, and they rate at this point because as we've seen in the industry, linear ratings have dwindled because the way individuals watch and consume television has dramatically changed. While unscripted shows, it's not the same. And the cost of doing a scripted show has continued to rise over the last five years. So it's basically anything that you can put celebrities in that doesn't involve scripts, that doesn't have to be written by members of the Writers Guild. GOLDBERG: I think it's just, you know, the training for it. GOLDBERG: I don't think they're actually going to try and send anyone to Mars. I didn't - you mean the first person on Mars might be Tony Danza? Fox is doing a show where they're going to try to send celebrities to Mars. And that is going to be targeting an older demographic that typically tunes in for ABC's game shows, like "Wheel Of Fortune" and "Jeopardy!," and they're trying to really please affiliates with programming like this. So ABC, for example, will air a show in the fall called "The Golden Bachelor," which is an older gentleman looking for love after the loss of his wife. A lot of new reality shows are unscripted shows. And that's one of the ways that a lot of the studios and streamers went into strike-prevention mode, and that was to greenlight. SIMON: What about the rise in shows that are called "reality"? And I put that in air quotes. I mean, right now anything that is filming is going to be the target of the WGA, especially if it's on the location. Here in Los Angeles, "Loot," the Apple show, starring Maya Rudolph was immediately shut down. "Billions" has been impacted with multiple days of shutdowns because of picketers who have found the filming location for that. GOLDBERG: Well, production on a lot of shows has been either shut down for a day, which can cost studios between 200,000 and $300,000 per day. SIMON: Which shows have been disrupted the most? And what the Guild is trying to do right now is shut down that pipeline.

We have high-profile new scripted series and movies coming. And a lot of these networks and streamers have said, we're going to be OK. So they are now picketing locations and productions. And members of the WGA are now out in force in Georgia, which is a big production hub as well because of the tax incentive program there. And the amount of filming that is taking place in Southern California continues to dwindle.

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And what continues to happen is members of the WGA are picketing studios, as well as picketing scripted productions that are still filming right now. GOLDBERG: Well, the late-night shows were, of course, the first to go down.

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What's the effect? What have we seen or not seen? But late-night shows, for example, have had to suspend production. A lot of the spring season had already been scripted, filmed, produced.

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SIMON: This strike by the Writers Guild of America began May 2. LESLEY GOLDBERG: Thanks so much for having me.

What's been the effect on what we can see or will be able to see in succeeding months? Lesley Goldberg is TV editor at The Hollywood Reporter and joins us now from Burbank, Calif. It's a month into the strike by film and television writers.















Navy e writer